Moonlight

Wow. My first thought after watching this movie: wow. It’s not a favorite of mine. It didn’t connect with me on a deep, personal level like other movies have, but from an objective standpoint it was phenomenal. It was risky and bold and classic and fresh, and the cinematography alone was absolutely breathtaking. If you watch the movie muted, without any captions, it still tells a story. It’s still a work of art.

Before I talk about the movie itself, I want to touch on the hype surrounding it, at least in indie circles. So many reviews of the movie start and end with : an African American movie! An LGBT movie! A movie that really shows poverty! I’m not using these examples to belittle the story or its themes in any way, because all these themes are prevelant in the movie and they are thought-provoking ideas that stay with you long after it ends. I only want to say that some films get so wrapped up in the real-life consequences of the story they’re telling that they forget to actually tell the story. Moonlight doesn’t feel like a movie about a culture or an issue. It feels like a movie about characters and conflict. It transcends those labels that so many critics use to compliment it, and to me, that is some of the highest praise I can give the film. Continue reading “Moonlight”

Manchester by the Sea

Can I even put into words how much I loved this movie?

Let me preface this by saying that I thought I would like it. I thought I’d like it a lot. However, I didn’t realize I would love it. From the trailers and the buzz surrounding it, it sounded like just my kind of movie: devastating, raw, tragic, and moving were words used frequently to describe the story. Having seen it, I can say every word captures the tone of the movie perfectly.

To answer my first question: I’m going to try. And that starts by talking about Casey Affleck. Continue reading “Manchester by the Sea”